‘Ashtart was connected with fertility, sexuality, and war. Her symbols were the lion, the horse, the sphinx, the dove, and a star within a circle indicating the planet Venus. Pictorial representations often show her naked.

‘Ashtart was accepted by the Greeks under the name of Aphrodite. The island of Cyprus, one of ‘Ashtart's greatest cult centers, supplied the name Cypris as Aphrodite's most common byname.

Other major centers of ‘Ashtart's worship were Sidon, Tyre, and Byblos. Coins from Sidon portray a chariot in which a globe appears, presumably a stone representing ‘Ashtart. In Sidon she shared a temple with Eshmun. At Beirut coins show Poseidon, Astarte, and Eshmun worshipped together.

Other cult centers were Cytherea, Malta and Eryx in Sicily from which she became known to the Romans as Venus Erycina. A bilingual inscription on the Pyrgi Tablets dating to about 500 BCE found near Caere in Etruria equates ‘Ashtart with Uni, that is Juno. At Carthage ‘Ashtart was worshipped along side the goddess Tanit.

Donald Harden in The Phoenicians discusses a statuette of ‘Ashtart from Tutugi (Galera) near Granada in Spain dating to the 6th or 7th century BCE in which ‘Ashtart sits on a throne flanked by sphinxes holding a bowl beneath her breasts which are pierced. A hollow in the statue would have been filled with milk through the head and gentle heating would have melted wax plugging the holes, producing an apparent miracle.

The Syrian goddess Atargatis (Semitic form ‘Atar‘atah) was generally equated with ‘Ashtart and the first element of the name appears to be related to the name ‘Ashtart.

‘Ashtart in Ugarit
‘Ashtart appears in Ugaritic texts under the name ‘Athtart but is of little importance in those texts. ‘Athtart and ‘Anat together hold back Ba‘al from attacking the other gods. ‘Ashtart also asks Ba‘al to "scatter" Yamm "Sea" after Ba‘al's victory. ‘Athtart is called the "Face of Ba‘al".

‘Ashtart in Egypt
‘Ashtart's first appears in Egypt beginning with the 18th Dynasty along with other northwest Semitic deities. She was especially worshipped in her aspect of a war goddess, often paired with the goddess ‘Anat. In the Contest Between Horus and Set, these two goddesses appear as daughters of Re and are given in marriage to the god Set, here identified with the Semitic god Hadad. ‘Ashtart was also identified with the goddess Sekhmet but seemingly more often conflated, at least in part, with Isis to judge from the many images found of ‘Ashtart suckling a small child. Indeed there is statue of the 6th century BCE in the Cairo Museum, which would normally be taken as protraying Isis with her child Horus on her knee and which in every detail of iconography follows normal Egyptian conventions but the dedicatory inscription reads: "Gersaphon, son of Azor, son of Slrt, man of Lydda, for his Lady, for ‘Ashtart." See G. Daressy, (1905) pl. LXI (CGC 39291).

Plutarch, in his On Isis and Osiris, indicates that the king and queen of Byblos, who unknowingly have the Osiris' body in a pillar in their hall, are Melcarthus (ie. Melqart) and Astarte (though he notes some instead call the queen Saosis or Nemanus, which Plutarch interprets as corresponding to the Greek name Athenais).

Later we see, with El's consent, ‘Ashtart and Hadad reigning over the land together. ‘Ashtart, puts the head of a bull on her own head to symbolize her sovereignty. Wandering through the world ‘Ashtart takes up a star that has fallen from the sky and consecrates it at Tyre.

Hebrew pronunciation
The Masoretic (from "Masorah", which is a body of scribal notes that form a textual guide to the Hebrew Old Testament, compiled from the 7th to 10th centuries CE) pointing in the Hebrew Tanach (bible) indicate the pronunciation as ‘Aštoret instead of the expected ‘Ašteret, probably because the two last syllables have here been pointed with the vowels belonging to boshet "abomination" to indicate that word should be substituted when reading. The plural form, referring to multiple goddesses, is pointed ‘Aštarot.

Astarte and Ashtoreth
Astarte, or Ashtoret in Hebrew, was the principal goddess of the Phoenicians, representing the productive power of nature. She was a lunar goddess and was adopted by the Egyptians as a daughter of Ra or Ptah.

In Jewish mythology, she is referred to as Ashtoreth, supposedly interpreted as a female demon of lust in Hebrew monotheism. This interpretation is also inherited by Christianity. The name Asherah may also be confused with Ashtoreth, but is probably a different goddess.

In Christian demonology, Ashtoreth is connected to Friday, and visually represented as a young woman with a cow's horns on her head (sometimes with a cow's tail too).

The cult of Astarte was one of the main competitors to the early Hebrew monotheism.

There is a serious basis for the opinion that the Greek goddess Aphrodite (especially Aphrodite Urania) is just another name for Astarte. Herodotus wrote that the cult of Aphrodite originated in Phoenicia and came to Greeks from there. He also wrote about the world's largest temple of Aphrodite, in one of the Phoenician cities.

Connection to planet Venus is another similarity to the Aphrodite cult, apparently from the Mesopotamian goddess Ishtar. Doves sacrificed is another.

Today she is the second name in an energy chant sometimes used in Wicca: "Isis, Astarte, Diana, Hecate, Demeter, Kali, Inanna."

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